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Art Hazelwood |
Selected Solo Exhibitions2007/5-8 Pillars of Society, Galeria Zapatista, Mission Cultural Center, Mission Grafica, SF 2006/10 Hubris Corpulentus, Plymouth State University Lamson Library, Plymouth, NH 2006/4 Hubris Corpulentus, University of Rhode Island, Library Gallery, Kingston RI 2005/9-10 Cyrano and the Four Humors – Literary Prints, Collectors Gallery, Oakland, CA 2005/4 Iraqopoly and War Prints, John Wilmer Studio, Sausalito, CA 2004/10 Hubris Corpulentus, Mitchell Place Gallery, Muncie, IN 2004/1 Hubris Corpulentus, Meridian Gallery, San Francisco, CA 2003/2 Requiem For Dionysos, San Francisco Online Arts, San Francisco, CA 2002/10 Paintings and Prints, Canton Gallery, Baltimore, MD 2001/5 Hand made Books of Prints, Collectors Gallery, Oakland Museum, Oakland, CA 2000/8 Millennial Parade, paintings and prints, Canton Gallery, Baltimore, MD 2000/7Walking up and down in Asia, 60 woodcut prints, Fetterly Gallery, Vallejo, CA 1998/2-3 Woodcuts and Linocuts, Fetterly Gallery, Vallejo, CA, two person show 1995/7 Collectors Gallery, Oakland Museum, Oakland, CA, two person show 1992/11 World City, Amerika Haus, Vienna, Austria. Presented by the USIS 1992/7 Bilder Einer Reiser, Galerie Casetta, Munich, Germany 1990/5 Landscapes of Asia and America, Gallery Hasegawa, Tokyo, Japan 1989/8 The Artist's Gallery, Santa Fe, NM 1989/7 Santa Cruz Gallery of Fine Art, CA Public Art and Special Projects2000- 2006 Guest artist creating three separate books of prints with text titled, Pulcinella in Hades, (2006) Journeys to the Moon and Sun, (2004) Gargantua in the Vineyard, (2001) published at Eastside Editions, Sonoma, CA 1999 -2000 Design and execution of an outdoor acrylic paint mural, Modern
Muses and the Arts, 110’ x 6’ Fetterly
Gallery, Vallejo, CA Selected Group Exhibitions2007 –‘08 New Prints 2007/Fall, International Print Center New York. Chicago Center for the Book. 2007/5-7 81 st Annual International Competition: Printmaking!, The Print Center, Philadelphia, PA 2007/3-5 Bound by Tradition: The Influence of Historical Bindings on Artists' Books, Sterling Library, Art of the Book Collection, Yale University 2007/1-2 Ink & Clay 33, Cal Poly Pomona, Kellogg University Gallery, CA 2006-2008 The Art of Persuasion, The National Arts Club, NY, NY, Juror Marilyn Kushner, Presented by the New York Society of Etchers. Traveling to Paramount Center for the Arts, (4/07-6/07) Peekskill, NY, Fine Arts Gallery, Westchester Community College, Valhalla, NY, (1/08), Loyola University Museum of Art, Chicago (8/08 – 11/08) 2006/8 Beyond the Likeness: Self-Portraits by California Artists, Triton Museum, Santa Clara, CA 2006/1 Janet Turner National Print Competition Exhibition, Cal State University Chico, (Merit Award) 2006/1 Paper/Politics, An Exhibition of Politically & Socially engaged Printmaking, Seattle Phinney Center Gallery, 2005/4, Brooklyn, 5 + 5 Gallery, 2006/1, Portland, OR, 2006/5 Food For Thought Student Gallery, Portland State University, Josh MacPhee curator, catalog available 2006/1 Ink and Clay 32, Kellogg Art Gallery, Cal Poly Pomona, Pomona, CA 2006/2 Restating Empire, Gallery 110, Seattle, WA (Honorable Mention Award) 2005 Pressing Matters, 500 Years of Wine in Art, Hearst Gallery St. Mary’s College, Moraga, CA 2005 What is Freedom? Gallery of Social and Political Art, Boston, MA 2005/3 Art: The Other Voice of America, SoMarts Cultural Center, SF, CA, Linocut poster for the Exhibit designed and printed by Art Hazelwood 2004/10 War, Peace and Civil Liberties, Berkeley Art Center, Berkeley, CA 2004/9-10 Is This Our Country? Gallery of Social and Political Art, Boston, MA 2004/7-9 Printmakers of the Golden Gate, Claudia Chapline Gallery, Stinson Beach, CA 2004/6 Matter & Spirit Book Arts Exhibition and Symposium at Wells College, Aurora, NY 2004/2-4 Eye Object, Political Prints, Santa Rosa Junior College, curated by Suzanne Lacke. 2003/10 Open Wide- 500 Years of Dentistry in Art, SUNY Buffalo New York, collection of Mort Rivo. 2003/6-7 New Prints 2003/Summer, International Print Center New York, New York, NY 2003/3 Innovations in Contemporary Printmaking, Thacher Gallery, University of San Francisco. 2002/11 - 2/03 Built By Hand: The Book As Art An International Juried Book Exhibition, Eleven Eleven Sculpture Space, Washington, DC. Jurors: Mark Dimunation, Neal Turtell 2002/5-7 New Prints 2002/Summer, International Print Center New York, 2001/10-12 The Spirit of Handmade Prints, Calif Society of Printmakers Triton Museum, Santa Clara, CA 2000/12 9 Lives, Somarts Cultural Center, San Francisco, CA 1999/11-12 California Prints From Wood IV, Collectors Gallery, Oakland, CA curated by Art Hazelwood 1999/11-12 Fifth Anniversary Invitational Exhibit, Fetterly Gallery, Vallejo, CA, Linocut poster for the Fifth Year Anniversary Exhibit designed and printed by Art Hazelwood 1999/10 The View From Here - 10 Years of Art from the Street Sheet, 509 Cultural Center, San Francisco, CA 1999/9-10 Political Art and Propaganda, Pajaro Valley Arts Council, Watsonville, CA 1999/6 On the Edge of the Century: Printmaking and Social Commentary in the 1990s, Berkeley Art Center, juror Rene Yanez, catalogue 1999/4 Premio Internazionale 1999 Biella Per l’incisione, Biella, Bologna, Turin and Mondovi, Italy. 1999/3-5 73 rd Annual International Competition, The Print Center, Philadelphia, PA juror Jan Howard, curator of prints and drawings Baltimore Museum of Art 1999/2 -6 Faultlines/Watermarks: California/Amsterdam, Calif. Society of Printmakers and Amsterdams Grafisch Atelier. Amsterdam, Heemstede, San Francisco, Vallejo, CA, 1998/11 The Third Annual California Artists’ Prints From Wood, Collectors Gallery, Oakland, CA 1998/7 Tradition and Transition in the 90’s, SOMAR Gallery, San Francisco. 1998/6 Printwork ’98, Barrett House Galleries, Pouhkeepsie, NY juror, Starr Figura, MOMA
1997/12 The Second Annual California Artists From Wood, Collectors Gallery, Oakland, CA 1997/11 Pyramid Atlantic Book Arts Fair 1997, Corcoran Gallery of Art, Washington, DC 1997/1 California Artists From Wood, Collectors Gallery, Oakland, CA 1996/5-6 Pacific Prints '96, Pacific Art League of Palo Alto, CA 1995/12 International Triennial Woodcut & Wood Engraving, State Gallery Banska Bystrica, Slovakia 1995/5 1st Wexford Artists' Book Exhibition, Wexford, Ireland 1994/9 California Society of Printmakers Membership Exhibition, Triton Museum Santa Clara, CA
Exhibition: Selected Jurying, Curating2004/6 Artist As Activist, Juror, Sebastopol Art Center, Sebastopol, CA 2005/8-9 Self Examination: To the River Styx, Woodcuts and Monoprints by Roy Ragle, Collectors Gallery at the Oakland Museum CA, 2005/1-2 As They Saw It- Richard Correll and Frank Rowe Six Decades of Their Art of Social Conscience, Meridian Gallery, San Francisco, CA 2003/9 Daniel Robeski - Life and Work, Fetterly Gallery, Vallejo, CA. With essay on Robeski by Art Hazelwood. 2002/3-4 Masquerade and Revelation A William Wolff Retrospective, Hearst Art Gallery, St. Mary’s College, Moraga, CA. Catalog with essay by Art Hazelwood. Co-curated with Julie Armistead 2000/1-3 Crossing the River Styx, Woodcuts and Monoprints by Roy Ragle, Fetterly Gallery, Vallejo CA,
Public Presentations/ Teaching2007 Guest Editor of the California Printmaker, the journal of the California Society of Printmakers. 2007/7 Linocut Intensive, one week course for graduate and upper level students, Plymouth State University, Plymouth, NH 2006/4 Political Art Timely and Timeless, University of Rhode Island Kingston Library, Panel discussion. 2005/3 Art: The Other Voice of America, panel discussion with Doug Minkler, Jos Sances, Roberta Loach, Ariel, moderated by DeWitt Cheng titled Political Art Now. 2004/10 Visiting Artist Ball State University, Muncie Indiana, class presentations and public lecture Up From Nihilism: Engagement and Community. 2004/6 The Artists’ Role in a Time of War, Panel moderator Art Hazelwood, panel: Eleanor Dickinson, Doug Minkler, Barbara Milman, Jann Nunn, Sebastopol Center for the Arts 2004/3The Digital Revolution: Its Impact on Printmaking, Panel Moderator: Joan Finton, Panel: Art Hazelwood, Robin McCloskey, Janet Jones, Larry Warnock, Barbara Foster & Richard Lang. 2004/2 Functions & Uses of Political Art Now,Panel Moderator: Peter Selz, Panel: Art Hazelwood, Jos Sances & DeWitt Cheng. Selected Collections
Selected Publications2007/4 The Influence of Relief Prints on Modern Illustration, Master of Arts Thesis, Fashion Institute of Technology, NY, Heidi Younger. Section on Art Hazelwood, page 107 – 114. 2006/8-9 Art New England, “spotlight review” by Doug Norris of Hubris Corpulentus 2006/4 South County Independent – North East Independent, April 27, 2006, Examining the Art of Making War, Doug Norris, Arts & Living Editor, page C1, Review of two shows including Hubris Corpulentus at URI 2005/8 Art Hazelwood: A Graphic Witness of America, article by David A. Beronä, Image and Narrative Online Magazine of the Visual Narrative, issue 12, at www.imageand narrative.be 2005 “Iraqopoly” and War Prints on Caledonia, show review by Jonah Owen Lamb, Marinscope, vol. 35, no. 18, page 2, Sausalito, CA 2004 - 2008 Street Spirit, Artwork used in more than 20 issues. 1994 -2008 Street Sheet, ongoing and regular contributions of artwork in more than 40 issues. 2004 Prints & Politics: Printmaking in a Time of War, by DeWitt Cheng, Contemporary Impressions The Journal of the American Print Alliance, Vo. 12 no. 2 Fall 2004, page 11 – 15 2004/10 Indiana Public Radio, 10/7/04 interview with Art Hazelwood on Indiana Arts Desk http://www.bsu.edu/ipr/artsdesk/archive.asp 2004/10 All Access, Muncie, IN, Artist Reveals Pride, Hubris of U.S., review of exhibition Hubris Corpulentus, October 14 - 20, 2004 2004/Spring Zyzzyva, XX. 1, Spring 2004, Three images from Hubris Corpulentus print series. 2004/3 SFGate.com on line review of exhibit Hubris Corpulentus by Alison Bing 2004 Journal of the Print World, Vol. 27 No. 1, Meredith NH , Hubris Corpulentus Prints By Art Hazelwood. 2003 Journal of the Print World, Vol. 26 No. 3 Summer Meredith NH , Gargantua and the Book. essay on the creation of Gargantua in the Vineyards by the artist.. 2001/ 1 The California Printmaker, Art That Can Change the World, essay on three political artists by Barbara Milman, Emeryville, CA 1998 The California Printmaker, no. 1, pg. 10-11 Emeryville, CA StreetPrints, article on printmaking and homelessness advocacy 1995/7 Small Press Magazine, Summer, cover oil painting and woodcuts, Wakefield, RI 1995/3 Umbrella, vol. 18 nos. 1,2 pg. 27, review of Forest Song, Pasadena 1995/1 Small Press Magazine, Winter, 1995, review of "Promenade", Wakefield, RI 1994/12 Michael's Cut, novel by Robert Magill, Cover & 5 woodcut prints, Northwest Publishing, Salt Lake City 1994/5-6 The Print Collector's Newsletter, Vol., XXV No. 2 Pg.74 Review of Promenade, New York 1994/6 Umbrella, Vol,17 No.2 Pg. 55, Review of Promenade, Pasadena 1990 Crab Creek Review, cover and 4 prints inside, Spring 1990, Seattle 1989 New Mexico Humanities Review, Spring 1989, Socorro,
NM Education1983 BA degree in Fine Arts, University of California at Santa Cruz
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