Gerard Trignac - prints and biography
Gerard Trignac
Gérard Trignac (b. 1955, Bordeaux, France) is a contemporary French printmaker whose meticulously crafted etchings transport viewers into dreamlike worlds of monumental architecture and surreal stillness. Originally trained as an architect, Trignac redirected his discipline toward printmaking, carrying with him the rigor, perspective, and structural clarity that architectural study demands. This foundation has remained central to his work, informing his imagined cityscapes with an uncanny sense of balance and grandeur.
Trignac studied at the École des Beaux-Arts in Bordeaux, where he developed both a mastery of classical drawing and a profound respect for traditional etching. Each of his works begins with a carefully rendered sketch before being fully realized on the copper plate, a process that can take months to complete. His technical precision, combined with his imaginative scope, has made him one of the leading printmakers of his generation.
His etchings often depict vast, labyrinthine structures: staircases that lead nowhere, bridges suspended in silence, towers that rise without end. These monumental spaces are rendered in delicate black and white tones, evoking solitude and mystery. While influenced by artists such as Piranesi and Giorgio de Chirico, Trignac’s vision is wholly his own—his compositions rarely correspond to real places, instead conjuring invented architectures that feel both timeless and futuristic.
What sets his work apart is not only its technical finesse but also its atmosphere. The absence of human presence amplifies the silence of his cities, leaving viewers to wander their deserted streets and contemplate their enigmatic forms. In this way, his prints function as meditations on time, memory, and the uncanny.
Trignac’s art has been exhibited across Europe and is included in major collections, such as the Bibliothèque nationale de France and the Musée des Beaux-Arts in Bordeaux. His blend of architectural rigor and visionary invention secures his place as a modern master of etching, carrying forward a centuries-old tradition with contemporary resonance.
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